95 Royalty-Free Audio Tracks for "Am Radio"

A more intense flip across the am radio dial in the united states, this time at night.

Recording from the 590 kilohertz mark on the am radio bandwidth. Very typical mono static.

A choppy section of am radio static at the 1400 khz mark on the dial.

Scrolling through various shortwave frequencies, caught couple tones among the noise. Sounded like sad horns. Radio used was a grundig yacht boy 207 with a broken antenna, recorded on a tascam dr-05x.

Choppy channel surfing on a digital tuner across a mix of the fm and am dials.

Recorded from line-in from a 13-year-old boombox tuned to the bottom of the am dial and moved around near the computer and printer. You can hear the base computer noise, then at 00:17 you start to hear the radio get closer to the printer which is off but plugged in.

Scrolling through various shortwave frequencies, caught a tone that slowly turned into a beep with rising tempo. Radio used was a grundig yacht boy 207 with a broken antenna, recorded on a tascam dr-05x.

Fixed version of my "amplitudemodulation" sound -- this one should download properly. Me fiddling with the tuning knob on a radio, in am mode.

My stories on cbs news radio.

Various recordings of a real noise of a small radio. Fm-noise is at the beginning of the file and am starts at 1:08 till the end. Recorded with zoom h4n pro.

Strange radio interference picked up between radio channels at 3am one morning. (i'm reasonably sure this some sort of strange em phenomenon rather than someone else's composition being broadcast; if i am wrong, i will be happy to take it down. ).

Noises from a unibody computer with wifi and bluetooth enabled.

Static from 1010 on the am band of the radio recorded from a digital tuner. The jumbled noise sounds like a harsh wind with an old school chattering satellite chirping away.

Recording of the 560 kilohertz frequency of the am radio band. Has a high-pitched singing whine in it.

High-pitched flip across the am radio dial. Good intro-type recording.

Section of am radio static with a high pitched sing in it, from the 580 kilohertz mark of the bandwidth.

Small am radio run through a marshall mini-stack and recorded using a shure dynamic - manipulated through the frequencies in-between stations to create eerie whistling and distorted sounds.

Recorded from line-in from a 13-year-old boombox tuned to the bottom of the am dial and placed near the computer. You can hear the cd-player starting up, working, stopping, working again. At one point i skip through a track with winamp creating a choppy sound. When the cd player stops you can hear the base computer noise.

The original audio was recorded from an am radio and then processed in metasynth.

Flip across the am radio dial through a range with some high-pitched sing in the static (and intermittent indistinguishable voices).

Using a variety of 1980s radios connected via a headphone output to the computer, i tuned in - across the entire bandwidth - of the mw and lw channels. I also captured the static hiss of those bands, 'dead air'. There are small clips of various stations along the way but i was looking for that 'tuning in' sound that was so familiar when radio was the central part of every teenager's life.

This is a recording of a lot of morse code conversations on the 40 meter band of amateur radio. Mainly between 7 - 7. 012 mhz using lsb, usb, cw wide, cw narrow, and am filters. I used a yeasu ft-757gx transceiveri mainly recorded this because i thought the am filter on the morse code sounded very unique and space like. Feel free to cut out whatever you like and modify. Also the buzz is from the computer's sound card impurity being amplified through the transceiver, this is not easy to fix. Recorded on 3:50 utc 2013-11-2.

Qrm listened in am mode on 80 m band in my qth jn79ek. If i use cw mode listening and narrow filter, the qrm is mostly worse. Strength: peaks s9+40 db. Sometimes any traffic impossible. From -41st sec. Of record is possible to heard my tuning around frequency.

Signal from a poorly tuned a. M. Radio station on a digital receiver, so no waver to the tuning just the sounds of a distant signal capturing mostly interference from the ionosphere.

Signal from a poorly tuned a. M. Radio station on a digital receiver, so no waver to the tuning just the sounds of a distant signal capturing mostly interference from the ionosphere.

Signal from a poorly tuned a. M. Radio station on a digital receiver, so no waver to the tuning just the sounds of a distant signal capturing mostly interference from the ionosphere.

Signal from a poorly tuned a. M. Radio station on a digital receiver, so no waver to the tuning just the sounds of a distant signal capturing mostly interference from the ionosphere.

Signal from a poorly tuned a. M. Radio station on a digital receiver, so no waver to the tuning just the sounds of a distant signal capturing mostly interference from the ionosphere.

Signal from a poorly tuned a. M. Radio station on a digital receiver, so no waver to the tuning just the sounds of a distant signal capturing mostly interference from the ionosphere.

Electro-magnetic interference from a desktop computer, and an at&t; cordless phone handset cl82301 when held near the internal ferrite antenna on the back right of a 13-year-old boombox listening to the am broadcast band. Recorded 2 years ago so i forget where i was listening. Recorded with goldwave from line-in. You hear emi from the computer at first, then i bring the phone on standby near the radio and you hear a series of nearly pure tones. The phone comes on and you hear a distorted dial tone. I move the phone away from the radio for a few seconds and you hear the computer again, then i bring the phone near and you hear a distorted busy signal. I disconnect and the phone continues sending to the base for a few seconds so you just hear a hum, then the idle tones are heard, then the computer noise as i remove the phone.

Electro-magnetic interference from the colorino talking color identifier and light probe when held near the internal ferrite antenna on the back right of a 13-year-old boombox near the bottom of the am broadcast band, from 530 to 580 khz. You first hear the device inactive being brought near the radio. This gives a low buzz of stacato clicks. At about 00:23 the light probe button is briefly pushed, you hear a quick boop of the light probe with low light level combined with the beginning of the white noise of the device active. If you put your ear near it after you use it, you will hear a slight hiss from the audio amplifier carrier idling for about a minute after last use. On the am radio this translates to white noise. At 00:26 there is a double click and a distorted voice says black. The voice is being picked up by the am radio. 10 seconds of white noise and i press the color button again and it says black. I put something else over the color sensor and it says a few more things. At 00:51 i hold down the light probe button and try to point it at the light above my desk while still holding it close enough to the radio to pick up the emi signal. You hear a warbling tone at 00:59 as the light reaching the sensor increases and decreases in brightness depending on how it's pointed. The signal fades in and out as the device is moved around. This has all happened at 530 khz. At 01:37 i step the radio up to 580 khz where you get a stronger signal. Wibw from topeka competes with the noise throughout the rest of the file. At 01:51 you hear the distorted error beep as i press the color button without anything but air and light in front of the color sensor. It must be pressed up against the thing you want the color of, or it gets in too much ambient light and errors out with a loud protesting beep.

Was up late last night and needed to make a foley for a radio tuning for a movie project thats coming up. So i thought i try and make my own. I just took my alarm clock radio and played with the am tuner and got some pleasing results. In the beginning it tunes in into various stations while coming towards the end its very errie with static and a wobbly tone. Feel free to use this for your own project. Use any part of this recording that pleases you and have fun! and feel free to share what you made with it!.

I am a completely blind guy, but i still have a passion for these radio-controlled models, in fact this is a recording made inside the room of my apartment in the province of rieti, italy, while i'm flying a radio-controlled micro helicopter. This recording was done with my iphone connected to the shure mv88 plus stereo microphone.

I like to listen to static (often actually) and it actually shifts a lot through out the day. So i heard some cool ringy stuff. . & decided to sweep through the am band. . . And actually touching the screen of my cell made the static louder. Sounds like a synth.

This is a recording made in the room of my apartment in italy in the province of rieti while i am playing with a radio-controlled mini helicopter. This recording was done with the shure mv88 digital stereo microphone connected to my iphone 12 pro.

This is a recording made in the room of my apartment while i am testing an eachine e130 radio controlled helicopter, during the recording even a small helicopter crash is heard at one point. Recorded with the shure mv88 plus digital stereo microphone connected to my iphone 12 pro.

This recording was made inside the room of my apartment in italy in the province of rieti, where i am carrying out a second flight test of my eachine e130 single-rotor radio-controlled helicopter, during the recording we also hear some small incidents. Recorded with the shure mv88 plus digital stereo microphone connected to my iphone 12 pro.

A soundscape from my debut album, "summer crickets. . . " takes several field recordings of rural summer ambiance and mixes them with my own acoustic guitar strumming. I also mixed in some am radio vocal snippets, resulting in a unique ambient piece that relaxes and unsettles simultaneously. -recorded entirely with tascam dr-03 at 48 k / 24 bit.

This is a recording of a second flight test of my dji phantom 4 pro drone in my bedroom of my apartment in italy in the province of rieti. I remember that unfortunately i am a blind boy, but unfortunately i have this passion for these radio controlled models. This recording was done with the shure mv88 digital stereo microphone connected to my iphone 12 pro.

Remix of wierd chimes. Wavhttp://freesound. Org/people/kwahmah_02/sounds/250253/which was a recording of a shortwave broadcast in am mode received in usb mode 1khz off frequency. I used goldwave's mechanize feature at 10000khz, then applied low pass filter at 10000 khz to filter out the newly created upper sideband, then i used mechanize again at 9000 khz, which tuned in the recording just like if i had a tuneable receiver.

The inspire project (http://image. Gsfc. Nasa. Gov/poetry/inspire/)offers a public continuous source of audible signal in vlf band direct of our ionosphere. In this pack i have extracted a selection of fragments of a minute of duration recorded at 7:01 am (local time) every day during approximately a month. If it interests to you listen more of this material you can connect here to stream:http://icecast. Msfc. Nasa. Gov:8000/inspire.

Shortwave wide-band digital emission recorded on july 15, 2014 at 15:17 utc in am mode using 2 instances of the online remote controllable short-wave receiver located at the amateur radio club etgd at the university of twente the netherlands. Left channel was recorded below the central frequency, at a frequency of 10187khz, right channel was recorded above the central frequency, at 10191khz. This was an experiment to see if selective fading would create stereo effects, as the lower frequency part of the transmission would be heard better in the left channel, and the higher frequency component would be heard better on the right. I used goldwave to put the separate recordings into 2 channels of the same file, after i synched the recordings by ear at 1/16 playback speed using a set of 2 particularly strong lightning static crashes as a guide, trimming off everything that came before the first strike in both original recordings, then inserting silence in the range of a few milliseconds until the stereo separation was as close to zero as i could get it. I wasn't as successful at that as i've been with experiments with voice recordings from simultaneous broadcasts on 2 wavelengths that i haven't posted here.

The Armstrong Twins and Harold Hensley perform Stuck Up Blues, Mandolin Boogie and Bill Cheatum at KXLA's Hometown Jamboree on July 4, 1949. The Hometown Jamboree was one of the west coast's most popular barn dance shows and was led by Cliffie Stone. On Bill Cheatum, Harold Hensley is on fiddle and Eddie Kirk plays guitar. Die Armstrong Twins und Harold Hensley spielen den Stuck Up Blues, den Mandolin Boogie und Bill Cheatum live im KXLA Hometown jamboree am Abend des 4. Juli 1949. Harold Hensley wird bei Bill Cheatum von Eddie Kirk an der Gitarre unterstützt.

I recorded this today (1/12/23) from atlanta, where we had a bunch of heavy rain and tornado warnings this afternoon. The radio station i recorded this from is am 750. The first part of the recording isn't very interesting, but the part where she started talking about how you can't see any tornados coming was really interesting to me. I think this would make for some really good ambience in like an environmental horror track. I decided to include the whole recording anyways in case anyone wanted it. Here's the backstory to this thingey if anyone really wants it:we were on tornado watch as i was speeding trying to get home from work, when the sirens started to go off. I had to pull into a disheveled looking parking garage, as that was the closest place i could get to. The garage only had one level, so i had no way of getting to lower ground. I sat there in my car, terrified that i might be stuck there, in a shitty parking deck, in the middle of a giant ass storm, with very little cell signal, for hours on end. I decided to turn on my radio and record it from my phone. Fortunately, i was only in there for 30 minutes, and i managed to get home after the rain cleared up a bit.

Ringmodulated inversion of my speech from the file https://freesound. Org/people/kb7clx/sounds/648443/ invertedspeechcq. Wav. I took the raw recording and used goldwave's mechanize effect to translate my voice to a center frequency of 14khz. I then demodulated it first at 10. 6 and then 10. 2khz meaning that what comes out is essentially the opposite sideband, offset by 3. 4 and 3. 8khz respectively. 3khz just didn't sound as good. The first i filtered with a low pass of 2. 9khz, the second was filtered to below 3. 4khz to emulate a communications receiver passband. I am speaking upside down as described in this video. Https://www. Youtube. Com/watch?v=q_ykxzcbh-g beginning at 00:03:16. Being blind i can't see their diagram, but i've got my own by ear intuitive method, keeping in mind that oo and ee are farthest from each other, all other vowells get closer the closer they are to the middle of the human voice frequency range. I say: huhlay sue quee, sue quee, sue quee do ux. Cahlloong sue quee sue quee sue quee do ux. The ay in huhllay is like when a spanish speaker says béisbol (baseball). The a in cahlloong is like the a in cat if you're opening wide for the doctor. The oo is like the oo in book. Listen to the other file and you'll hear: hello cq cq cq dx. Calling cq cq cq dx.